As a young man, Finn Juhl had the dream of becoming an art historian. In the 1930s and 1940s he had been strongly influenced by modern art, which was the main reason why his designs took on organic forms with almost human-like features. He worked from the core outward, much like a surrealist artist, and drew inspiration from the freedom from convention that is reflected in art.
Designed in 1946, the sofa is a 'body for the body'. One that can accommodate two people who become one organic unit. Finn Juhl's artistic freedom was heavily criticised at the time, with some critics contemptuously referring to his furniture as 'tired walruses'.
From today's perspective, the 46 Sofa is a charming and cozy addition to any parlor. It is masterfully constructed, consisting of a solid wood frame with feathers in the cushion and fully hand-sewn upholstery. It is available in fabric or leather with legs in oak, walnut or black lacquer.